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The Harp in Ireland
Sound, Symbol & Story

Saturday 22 August 2026   

   Bandon Methodist Church

A celebration of Ireland's national instrument through music, history, storytelling and traditional craftsmanship.

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Echoes of Ireland and the Renaissance

with Brenda Malloy

Saturday 22nd August

12:00pm

Bandon Methodist Church

free 


Join acclaimed harpist Brenda Malloy for a captivating recital on early Irish and Renaissance harps.

Echoes of Ireland & the Renaissance brings to life the haunting airs, lively dances, and richly expressive music of centuries past. Featuring historical harp music from Ireland, England, Scotland, and Wales, the programme includes works by Turlough O’Carolan, William Connelan, Cornelius Lyons, Edward Jones, John Bowie, Thomas Campion, John Dowland, and selections from Playford’s collections.

Let the gentle resonance of wire and gut strings transport you through time in this evocative and beautifully curated performance.

Historical Harp Concert

with Javier Sáinz on the 16th-Century Harp

Saturday 22nd August

7:30pm

Bandon Methodist Church

Spanish early harpist Javier Sáinz is internationally recognised as a leading specialist in Renaissance and Baroque harps, celebrated for his pioneering research and historically informed performances. A renowned soloist and musicologist, he has appeared at major early music festivals across Europe, bringing the rich sound world of the 16th and 17th centuries to life on authentic historical instruments.

Meet our Experts

We are delighted to welcome an outstanding line-up of internationally acclaimed musicians, scholars and performers whose expertise brings history, tradition and artistry vividly to life. From celebrated specialists in early music to distinguished interpreters of traditional repertoire, each artist brings a wealth of experience, passion and unique insight to this year's programme. We invite you to discover more about the remarkable performers who will be sharing their music and knowledge throughout the festival.

Eibhlís Ní Ríordáin is a singer, cláirseach player, composer and music educator with a particular passion for Ireland's early musical traditions. An award-winning sean-nós singer and specialist in the song heritage of the Déise region, she combines scholarly research with deeply expressive performance. Drawing on her background in early music, traditional song and the historical Irish harp, Eibhlís brings a unique and authentic voice to Ireland's rich cultural heritage. Eibhlís was born in Fermoy, Co Cork and grew up there and in Modeligo, Ballyduff Upper, Co.Waterford. She is a music graduate of University College Cork and also holds a Licentiate in Piano Teaching from Trinity College London. A highly experienced music educator, she teaches classical piano at her home in Greystones, Co Wicklow. Interested in the arts generally, she also holds a first-class honours MA in Women’s Studies (UCD), with a focus on women in the arts in contemporary Ireland. Sean-nós song: Eibhlís sings and researches the sean-nós song repertoire of the Déise (East Munster) area. In 2016 she won Corn Mháire Nic Dhonnachadha at the Oireachtas, and in 2017 and 2018 she won the Leinster Fleadh Cheoil Sean-nós singing competition and was also a prize winner in both years at Fleadh Cheoil na hÉireann. Singers who have influenced her are: Nioclás Tóibín, Labhrás Ó Cadhla, Áine Uí Cheallaigh and Ciarán Ó Gealbháin. Early music: Eibhlis was the first conductor of the Lismore choir in Co. Waterford, and performed a repertoire of early music with them, as conductor and soloist. While at UCC she sang with the English choral group ‘The Clerkes of Oxenford' and with ‘Madrigal 75’.

A native of Cantabria in northern Spain, Javier Sáinz graduated from the Conservatorio de Música Ataulfo Argenta in Santander in 1991 with a degree in classical guitar and music education. Since 1980 he has played early harps, focusing particularly on historical techniques such as playing with nails, selective string damping and -on his Renaissance harp- producing finger-stopped semitones. He plays exclusively historical harps and is an effortless exponent of various styles of sparkling melodic ornamentation. Javier is a pioneer in the revival of the two early gut-strung Spanish harps: the Renaissance arpa de una orden with a single string row and the chromatic arpa de dos ordenes with two rows of strings. Both a dedicated musicological researcher and a gifted soloist, Javier is one of the first harpists in modern times to play much of the original repertoire for these instruments and, almost uniquely, plays directly from 17th and 18th century harp tablature manuscripts without the need to transcribe them to standard notation. His other abiding interest is the early culture, poetry and music of Ireland and the Scottish Highlands. He plays Irish and Scottish music of the 16th to 18th centuries on a facsimile of the Lamont Harp: a brass-wire and gold strung early Scottish clarsach from c.1500. Javier has extensively researched the original repertoire, sources and playing techniques of the instrument. Javier lived in Ireland for three years where he was the Historical Harp Society of Ireland's teacher of early Irish harp - and gut-strung Renaissance and Baroque harps - in Dublin and regular course tutor of the Irish Summer School of Wire-strung Harp (Scoil na gCláirseach) in Kilkenny. Javier Sáinz has performed at harp and early music festivals throughout Europe including the Festival de Música Antigua de Barcelona, the Inverness Harp Festival, Scoil na gClairseach, Galway Early Music, East Cork Early Music, Edinburgh International Harp Festival and the Ciclos de Música y Teatro Medieval de Madrid. He has recorded and broadcast on various European radio stations including Radio Suisse Romande, Radio Clásica RNE and RTE. His first solo recording appeared in 1995: El Lamento de la Cierva Herida, Sony Classical SK 62257 . In 2002 he was invited by The Wire Branch of the Clarsach Society to take part in a ground-breaking pedagogical DVD on the playing techniques necessary for the performance of early Scottish clarsach repertoire. This DVD and music book with the title Playing the Wire- strung Harp was released in 2012 by the Scottish label Siubhal. Javier Sáinz is the co-founder of, and has been, for the last four years, artistic director of Música Antigua en Santillana del Mar, an early music festival in the beautifully preserved medieval village of Santillana in Cantabria. His most recent solo CDs are Silva Caledonia: Scottish Harp Music of the Seventeenth Century, which was released in November 2008 by the Scottish label Siubhal, and E con la Harpa d’Orfeo, which was released in May 2011 by the Spanish label Artimaña Records.

Natalie Surina is the founder and harpmaker of Ériú Harps in the west of Ireland, where she specialises in crafting traditional Irish cláirsigh and other historical harps. Working from surviving medieval and early modern instruments, she combines meticulous historical research with traditional craftsmanship, creating authentic wire-strung harps from native Irish timbers and hand-drawn brass strings. Through her work, Natalie is helping to preserve and revive one of Ireland's oldest and most distinctive musical traditions.

Brenda Malloy is a Dublin-based harpist specialising in the early Irish cláirseach, Renaissance harp and Italian Baroque arpa doppia. Having studied with leading historical harpists Javier Sáinz and Siobhán Armstrong, she is dedicated to bringing the rich traditions of early Irish and European harp music to modern audiences. Through her performances, workshops and demonstrations, Brenda shares the beauty, history and craftsmanship of these remarkable instruments with warmth, knowledge and authenticity.

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Why the Harp?

The harp has been a symbol of Ireland for over 700 years, representing the country's rich history, culture, and identity. It is one of the oldest and most recognisable national emblems in the world, with its origins tracing back to medieval Ireland, where skilled harpists held an honoured place in Gaelic society. Today, the harp continues to embody Ireland's creativity, resilience, and enduring traditions.

As Ireland's official national emblem, the harp appears on government documents, official seals, Irish passports, and euro coins. It has long been used to represent the Irish State both at home and abroad, making it a powerful and instantly recognisable symbol of national pride and heritage.

Beyond its official status, the harp remains at the heart of Ireland's musical tradition. From ancient gatherings to contemporary performances, its distinctive sound has accompanied storytelling, celebration, and cultural expression for generations. Today, the Irish harp continues to inspire musicians and audiences around the world, connecting Ireland's rich past with its vibrant present.

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